{"id":1389,"date":"2020-04-21T17:05:44","date_gmt":"2020-04-21T16:05:44","guid":{"rendered":"http:\/\/signaltheatre.com\/?page_id=1389"},"modified":"2021-09-27T18:43:12","modified_gmt":"2021-09-27T17:43:12","slug":"cast-and-crew","status":"publish","type":"page","link":"http:\/\/signaltheatre.com\/?page_id=1389","title":{"rendered":"Cast and Crew"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide\">\n<div class=\"wp-block-column\">\n<h5 class=\"has-text-align-center\"><a href=\"http:\/\/signaltheatre.com\/?page_id=146\">A Place at the Table<\/a><\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<h5 class=\"has-text-align-center\"><a href=\"http:\/\/signaltheatre.com\/?page_id=1376\">Reviews<\/a><\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<h5 class=\"has-text-align-center\"><a href=\"http:\/\/signaltheatre.com\/?page_id=1389\">Cast and Crew<\/a><\/h5>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/8462_561528657200526_407274208_n-2.jpg\" alt=\"\" class=\"wp-image-1631\" width=\"250\" height=\"356\"\/><\/figure><\/div>\n\n\n\n<h4>Eva Tausig \u2013 Rachel<\/h4>\n\n\n\n<h5>Trained at Oxford School of Drama and (uncannily) studied art history at Oxford, as well as violin and voice at The Royal Academy of Music.<br>Theatre includes: <em>Alice Through the Looking Glass <\/em>(Oxford Playhouse), <em>Twelfth Night<\/em> (Blenheim Palace), <em>Suddenly Last Summer<\/em> (Hampstead), and <em>The Folk Contraption <\/em>(Old Vic Tunnels).<\/h5>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2013\/03\/74459_561528573867201_296470878_n.jpg\" alt=\"\" class=\"wp-image-149\" width=\"250\" height=\"376\" srcset=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2013\/03\/74459_561528573867201_296470878_n.jpg 640w, http:\/\/signaltheatre.com\/wp-content\/uploads\/2013\/03\/74459_561528573867201_296470878_n-200x300.jpg 200w, http:\/\/signaltheatre.com\/wp-content\/uploads\/2013\/03\/74459_561528573867201_296470878_n-624x936.jpg 624w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/figure><\/div>\n\n\n\n<h4>Christopher Tester &#8211; Adam<\/h4>\n\n\n\n<h5>Trained at Central.<br>Theatre includes: Romeo in <em>Romeo &amp; Juliet<\/em> (UK tour; New Wolsey\/Night Light), <em>I Still Get Excited When I See a Ladybird<\/em> (Theatre 503), <em>Blue\/Orange<\/em> (Tobacco Factory, Bristol &amp; UK tour), <em>Love and Other Games <\/em>(Etcetera), <em>Pride &amp; Prejudice<\/em> (European tour), <em>Cyrano de Bergerac<\/em> (White Bear), <em>The Hypochondriac<\/em> (English Touring Theatre), <em>The Alchemist <\/em>and <em>Breakfast with Emma<\/em> (Rosemary Branch), <em>Macbeth<\/em> (Catford Broadway), <em>Rough for Theatre II<\/em> (Oxford Playhouse), <em>Measure for Measure <\/em>(Roar Theatre), <em>Crave<\/em> (Underbelly, Edinburgh) and his own one-man adaptation of Nikolai Gogol&#8217;s <em>Diary of a Madman<\/em> (Rosemary Branch\/Underbelly).<br><a href=\"https:\/\/www.christophertester.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">christophertester.co.uk<\/a><\/h5>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/482355_561528697200522_364191644_n-2.jpg\" alt=\"\" class=\"wp-image-1576\" width=\"250\" height=\"166\" srcset=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/482355_561528697200522_364191644_n-2.jpg 634w, http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/482355_561528697200522_364191644_n-2-300x200.jpg 300w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/figure><\/div>\n\n\n\n<h4>Jacob Dunn \u2013 Sammy<\/h4>\n\n\n\n<h5>Trained at ArtsEd.<br>Theatre includes: <em>Little Pieces of Love<\/em> (Southwark Playhouse), <em>Farewell, Sister<\/em> (New Diorama), <em>A Midsummer Night\u2019s Dream<\/em> (Roar Theatre) and the forthcoming <em>Caligula<\/em> (Ashes &amp; Diamonds).<br>Film: <em>Scrutiny<\/em> (Elson Media).<\/h5>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/425902_561528787200513_2079732340_n-2.jpg\" alt=\"\" class=\"wp-image-1579\" width=\"250\" height=\"167\" srcset=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/425902_561528787200513_2079732340_n-2.jpg 698w, http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/425902_561528787200513_2079732340_n-2-300x200.jpg 300w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/figure><\/div>\n\n\n\n<h4>Kellie Batchelor &#8211; Sarah<\/h4>\n\n\n\n<h5>Trained at Drama Studio, London.<br>Theatre includes: <em>The Night Before Christmas <\/em>(Hen &amp; Chickens\/Bike Shed, Exeter), <em>Here<\/em> (Tristan Bates) and <em>Private Lives<\/em> (Canal Caf\u00e9) for Signal Theatre Company, all of which she also produced; <em>Somewhere Over The Westway<\/em>, <em>Ready, Steady, Date<\/em> and <em>Octopus Pie<\/em> (all Edinburgh), <em>Under the Blue Sky<\/em> and <em>Closer<\/em> (Soho),<em> Sexual Perversity in Chicago<\/em> (Canal Caf\u00e9), <em>The Snow Queen<\/em> (Chelsea Centre) and <em>Kingdom on Earth<\/em> (Landor).<br>Film includes: <em>Kin<\/em> (A10 Films) and the shorts <em>The Eye of the Needle <\/em>and <em>Fund This<\/em>.<br>Kellie is a volunteer for <a href=\"https:\/\/www.sceneandheard.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Scene &amp; Heard<\/a>.<\/h5>\n\n\n\n<h4>Simon Block \u2013 Writer<\/h4>\n\n\n\n<h5>Theatre includes: <em>Everything is Illuminated<\/em>, <em>Hand in Hand<\/em>, <em>No Exp Req\u2019d<\/em> and <em>Chimps<\/em> (all Hampstead) and <em>Not a Game for Boys<\/em> (Royal Court).<br>Television includes: <em>The Shooting of Thomas Hurndall<\/em> (Channel 4; BAFTA nominated \u2013 best writer\/best single drama) creating <em>Trust<\/em> and writing episodes of <em>Casualty<\/em>, <em>Hotel Babylon<\/em>, <em>The Inspector Lynley Mysteries<\/em> and <em>Attachments<\/em> for the BBC and of <em>Lewis<\/em> and <em>Wire in the Blood<\/em> for ITV.<\/h5>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/untitled.jpg\" alt=\"\" class=\"wp-image-1583\" width=\"250\" height=\"329\"\/><\/figure><\/div>\n\n\n\n<h4>Robert Wolstenholme &#8211; Director<\/h4>\n\n\n\n<h5>Studied directing at Drama Studio, London and on the National Theatre Studio Directors\u2019 Programme.<br>Directing includes: <em>The Night Before Christmas<\/em> (Hen &amp; Chickens\/Bike Shed, Exeter), <em>Here<\/em> (Tristan Bates) and <em>Private Lives<\/em> (Canal Caf\u00e9) for Signal Theatre Company; <em>Brotherly Love<\/em> (Counting House, Edinburgh), <em>Gilbert is Dead<\/em> (Hoxton Hall), <em>One Minute<\/em> (Courtyard), <em>Guerilla\/Whore<\/em> (Tabard), <em>The Unattended<\/em> (Gilded Balloon, Edinburgh), <em>This to This<\/em> (Union\/Colour House), <em>If No One Loves You, Change<\/em> (King\u2019s Head), <em>Bash<\/em> (Hen &amp; Chickens), <em>Closer<\/em> (Landor), <em>Road<\/em> (Croydon Clocktower), <em>Love &amp; Understanding<\/em> and <em>Can\u2019t Stand Up For Falling Down<\/em> (Etcetera), <em>Octopus Pie<\/em> (Landor &amp; Edinburgh), <em>Dracula<\/em> (Drayton Court), <em>Mother Tongue<\/em> (Oval House), <em>Sleeping Nightie<\/em> (White Bear), <em>The Razorblade Cuckoo<\/em> (Link Theatre); <em>Can You Keep a Secret?<\/em> and <em>Was He Anyone?<\/em> (Croydon Youth Theatre); the shorts <em>Opportunity of a Lifetime<\/em> (Pleasance, London), <em>Soyuz 40<\/em> and <em>wltm<\/em> (Southwark), <em>Gift<\/em> (King\u2019s Head) and <em>A Snow Scene<\/em> (White Bear); numerous rehearsed readings including for the Bush, the Finborough and Old Vic\/New Voices, and at the Actors\u2019 Centre, SOAS and Soho Theatre for Amnesty International.<br>Robert is a volunteer for <a href=\"https:\/\/www.sceneandheard.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Scene &amp; Heard<\/a>.<\/h5>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/signaltheatre.com\/wp-content\/uploads\/2020\/04\/untitled.bmp\" alt=\"\" class=\"wp-image-1581\" width=\"250\" height=\"181\"\/><\/figure><\/div>\n\n\n\n<h4>Christopher Hone &#8211; Design<\/h4>\n\n\n\n<h5>Studied theatre design at Nottingham Trent University.<br>Theatre includes: <em>Here<\/em> (Tristan Bates) for Signal Theatre Company; <em>Guerilla\/Whore<\/em>, <em>Ruddigore<\/em>, <em>Cinderella<\/em>, <em>Just So<\/em> and <em>Stiffed!<\/em> (Tabard), <em>Coyote Ugly<\/em>, <em>Italian American Reconciliation<\/em> and <em>The Time of Your Life<\/em> (Finborough), <em>The Lesson<\/em>, <em>Vincent in Brixton<\/em>, <em>Romeo &amp; Juliet<\/em>, <em>A Taste of Honey<\/em>, <em>Hamlet<\/em> and <em>Othello<\/em> (international tours), <em>One Minute<\/em> (Courtyard), <em>Gawkagogo Freakshow<\/em> (national tour), <em>Dorian Gray<\/em> and <em>Romeo &amp; Juliet<\/em> (Leicester Square), <em>Gilbert is Dead <\/em>(Hoxton Hall), <em>Super Situation<\/em> (Theatre 503 &amp; Bongo Club, Edinburgh), <em>Rip Her to Shreds<\/em> (Old Red Lion) and <em>Over Here!<\/em> (Saban Theatre, Los Angeles). TV includes: the complete studio re-design of QVC, <em>Big Brother<\/em>, <em>Celebrity Big Brother<\/em>, <em>Hollyoaks<\/em> &amp; numerous commercials and virals.<\/h5>\n\n\n\n<h4>Danielle Steen &#8211; Lighting and Sound Design<\/h4>\n\n\n\n<h5>Currently in the 2nd Year of the BA (Hons) Technical Theatre course at University of Essex, Colchester Institute.<br>Theatre includes: <em>Brotherly Love<\/em> (Counting House), <em>The Artisan<\/em> (Sin Club) and <em>How to Get Almost Anyone to Want to Sleep With You <\/em>(Assembly), all in Edinburgh.<\/h5>\n\n\n\n<h4>Tiziana Silvestre \u2013 Movement<\/h4>\n\n\n\n<h5>Currently training on the MA movement course at Central. Previously trained as an actress \u2013 theatre includes work with Grotowski and Barba and in <em>Commedia Dell\u2019Arte<\/em> and mime.<\/h5>\n\n\n\n<h4>Sam Spark &#8211; Graphic Design<\/h4>\n\n\n\n<h4>Nick Pomeroy &#8211; Production Photography<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>A Place at the Table Reviews Cast and Crew Eva Tausig \u2013 Rachel Trained at Oxford School of Drama and (uncannily) studied art history at Oxford, as well as violin and voice at The Royal Academy of Music.Theatre includes: Alice Through the Looking Glass (Oxford Playhouse), Twelfth Night (Blenheim Palace), Suddenly Last Summer (Hampstead), and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":146,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1389"}],"collection":[{"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1389"}],"version-history":[{"count":32,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1389\/revisions"}],"predecessor-version":[{"id":2109,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1389\/revisions\/2109"}],"up":[{"embeddable":true,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/146"}],"wp:attachment":[{"href":"http:\/\/signaltheatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}