{"id":1805,"date":"2020-04-28T16:18:10","date_gmt":"2020-04-28T15:18:10","guid":{"rendered":"http:\/\/signaltheatre.com\/?page_id=1805"},"modified":"2021-09-27T18:27:39","modified_gmt":"2021-09-27T17:27:39","slug":"crew","status":"publish","type":"page","link":"http:\/\/signaltheatre.com\/?page_id=1805","title":{"rendered":"Crew"},"content":{"rendered":"\n
\n
\n
Martha, Josie…<\/a><\/h5>\n<\/div>\n\n\n\n
\n
Reviews<\/a><\/h5>\n<\/div>\n\n\n\n
\n
Gallery<\/a><\/h5>\n<\/div>\n\n\n\n
\n
Cast<\/a><\/h5>\n<\/div>\n\n\n\n
\n
Funders<\/a><\/h5>\n<\/div>\n<\/div>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n

Charlotte Jones – Writer<\/h4>\n\n\n\n

Martha, Josie and the Chinese Elvis<\/em> was commissioned by Bolton Octagon in 1998, when Charlotte was writer in residence; it went on to win the Pearson and Manchester Evening News<\/em> awards for best new play and, along with In Flame<\/em> (Bush\/West End), won Charlotte the Critics\u2019 Circle Most Promising Playwright award.
Her other plays include Airswimming<\/em> (BAC), The Dark<\/em> (Donmar), The Lightning Play<\/em> (Almeida), The Meeting<\/em> (Chichester), the book for Andrew Lloyd Webber\u2019s musical version of The Woman in White<\/em> and the Olivier nominated and Critics\u2019 Circle best new play winning Humble Boy <\/em>(National Theatre).
Television writing includes Without You<\/em> and The Halcyon<\/em> (ITV), which she also created.<\/h5>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n

Robert Wolstenholme – Director (and Producer)<\/h4>\n\n\n\n

Robert studied directing at Drama Studio, London and on the National Theatre Studio Directors\u2019 Programme.
For Signal, he has directed\u00a0Sellotape Sisters<\/em>\u00a0(The Warren, Brighton\/Tristan Bates),\u00a0Shang-a-Lang<\/em>\u00a0(King\u2019s Head),\u00a0A Place at the Table\u00a0<\/em>(Tristan Bates),\u00a0The\u00a0Night Before Christmas<\/em>\u00a0(Hen & Chickens\/Bike Shed, Exeter),\u00a0Here<\/em>\u00a0(Tristan Bates) and\u00a0Private Lives<\/em>\u00a0(Canal Caf\u00e9) all of which he also co-produced.
Other directing includes:\u00a0White Feathers<\/em>\u00a0(Bread & Roses),\u00a0Trying<\/em>\u00a0and\u00a0Tender Soup<\/em>\u00a0(New Diorama),\u00a0Brotherly Love<\/em>\u00a0(Counting House, Edinburgh),\u00a0Gilbert is Dead<\/em>\u00a0(Hoxton Hall),\u00a0One Minute\u00a0<\/em>(Courtyard),\u00a0Guerilla\/Whore<\/em>\u00a0(Tabard),\u00a0The Unattended<\/em>\u00a0(Gilded Balloon, Edinburgh),\u00a0This to This<\/em>\u00a0(Union\/Colour House),\u00a0If No One Loves You, Change<\/em>\u00a0(King\u2019s Head),\u00a0Bash<\/em>\u00a0(Hen & Chickens),\u00a0Closer<\/em>\u00a0(Landor),\u00a0Road<\/em>\u00a0(Croydon Clocktower),\u00a0Love & Understanding<\/em>\u00a0and\u00a0Can\u2019t Stand Up For Falling Down<\/em>\u00a0(Etcetera),\u00a0Octopus Pie<\/em>\u00a0(Landor & Edinburgh),\u00a0Dracula<\/em>\u00a0(Drayton Court),\u00a0Mother Tongue<\/em>\u00a0(Oval House),\u00a0Sleeping Nightie<\/em>\u00a0(White Bear),\u00a0The Razorblade Cuckoo<\/em>\u00a0(Link Theatre);\u00a0Our Town,<\/em>\u00a0The Caucasian Chalk Circle,<\/em>\u00a0Arabian Nights\u00a0<\/em>and\u00a0How to Disappear Completely and Never be Found<\/em>\u00a0(Drama Studio, London);\u00a0Can You Keep a Secret?<\/em>\u00a0and\u00a0Was He Anyone?<\/em>\u00a0(Croydon Youth Theatre); the shorts\u00a0Primary Purpose<\/em>\u00a0(Ardent TC),\u00a0Control<\/em>\u00a0and\u00a0The Boy Who Never Learned to Fly<\/em>\u00a0(Arcola),\u00a0Opportunity of a Lifetime<\/em>\u00a0(Pleasance, London),\u00a0The Sky Above<\/em>,\u00a0Soyuz 40\u00a0<\/em>and\u00a0wltm\u00a0<\/em>(Southwark),\u00a0Gift<\/em>\u00a0(King\u2019s Head) and\u00a0A Snow Scene<\/em>\u00a0(White Bear); numerous rehearsed readings including for the Bush, the Finborough and Old Vic\/New Voices, and at the Actors\u2019 Centre, SOAS and Soho Theatre for Amnesty International.
Robert is also a volunteer for\u00a0Scene & Heard<\/a>.<\/h5>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n

Amy Mitchell – Set and Costume Design<\/h4>\n\n\n\n

Theatre includes: set and costume design for A Christmas Carol <\/em>(Bridge House Theatre), Alice in Canning Town <\/em>(Arc in the Park), Past Perfect<\/em> (Etcetera), The Orange Peel <\/em>(Drayton Arms), The Milkman’s On His Way<\/em> (Old Courthouse, Brighton), Summer Street, the Musical <\/em>(Shelley Theatre\/The Warren, Brighton\/Old Joint Stock\/Waterloo East), Refuge in Harmony<\/em> (Opera Holland Park), Revolt. She Said. Revolt Again<\/em> (RCSSD); set design for Under the Canvas Sky <\/em>(London School of Musical Theatre) and The Peregrine<\/em> (Stockwell Playhouse) and costume design for West End Bares 2018<\/em>.
Film includes: production design for Don’t Tell Him<\/em> and Without Walls<\/em> (JMOMCOCO\/Focal Rhythm), Dona and Vixen<\/em> (Dutch London Pictures) and Outwitting the Devil<\/em> (Root2Fruit Media). <\/h5>\n\n\n\n

Nat Green – Lighting Design<\/h4>\n\n\n\n

Trained at Rose Bruford.
Theatre includes: The Last Act of Harry Houdini <\/em>(Cockpit), Preach<\/em> (Hoxton Hall) and In the Blood<\/em> (Barn Theatre).
Nat also lights live music gigs and occasionally adds a little bit of electronic magic to discarded toys.<\/h5>\n\n\n\n

Julian Starr – Sound Design<\/h4>\n\n\n\n

Trained at the Australian National Institute of Dramatic Arts.
UK theatre includes: Cry Havoc<\/em> and Hell Yes, I’m Tough Enough<\/em> (Park), Othello<\/em> (Union), The Orchestra<\/em> (Omnibus), White Noise<\/em> (Vaults), The Boy Under the Christmas Tree<\/em> (King’s Head), Tiger Under My Skin<\/em> (Bloomsbury), A Winning Hazard<\/em>, After Dark<\/em> and The Wind of Heaven<\/em> (Finborough), Eris<\/em> (Bunker), Precious Little<\/em> (Brockley Jack), Zog<\/em>, Violet<\/em>, The Giant Killers<\/em> and Gulliver Returns<\/em> (tours), You Only Live Forever<\/em> (tour\/Soho), The Comedy of Errors<\/em> and Pericles<\/em> (UK\/Czechia tours), The Good Scout<\/em> (Above the Stag\/Edinburgh) and Aisha<\/em> (London tour), which was Offie nominated for Best Sound Design.
Australian Theatre includes: Surf Seance<\/em> (Sydney Arts Festival), The Shifting Heart<\/em> (Seymour Centre), Untold<\/em> (Playhouse), Kapow<\/em> (Kings Cross), Alice in Slasherland<\/em>, Telescope<\/em> and The Shadow Box<\/em> (Old Fitz) and Best Before<\/em> (Sydney Fringe Festival).
Sound design assistant\/associate includes: Mamma Mia! <\/em>(Capitol Theatre, Sydney), Disney’s Aladdin <\/em>(Queensland QPAC), Talk<\/em> and Richard III <\/em>(Sydney Opera House). Julian has also been production sound engineer on An Inspector Calls<\/em> (UK\/Ireland tour) and The Royal Edinburgh Military Tattoo<\/em>.<\/h5>\n\n\n\n

Marie Costa – Stage Manager<\/h4>\n\n\n\n

Recent theatre includes: Dialectikon<\/em> and My Dad’s Gap Year<\/em> (Park), Undetectable<\/em> and Riot Act<\/em> (King’s Head\/Arcola), The Dog Beneath My Skin<\/em> (Jermyn Street), Summer in London<\/em>, Whose Sari Now?<\/em> and Sinbad the Sailor<\/em> (Theatre Royal, Stratford East) and Boa <\/em>(Trafalgar Studios).
Other work includes productions at Soho, Hampstead, the Bush, Tricycle, the Gate, New End, Lyric Hammersmith, York Theatre Royal, Nuffield Theatre Southampton, Sydney Theatre Company (Australia) and several UK National tours.<\/h5>\n\n\n\n

Jonathan Bensusan Bash – Assistant Director<\/h4>\n\n\n\n

Jonathan wrote and directed Kisses in the Dark<\/em> for Brighton Fringe and is currently studying a Masters in Directing at East15.<\/h5>\n\n\n\n

Stephanie Watson – Assistant Stage Manager<\/h4>\n\n\n\n

Stephanie is in her final year at East15, studying Stage and Production Management.
She has experience working on shows at the Blue Orange in Birmingham, as well as technical stage manager on How To Be a Tree<\/em> (Lion and Unicorn).
She is also the in-house stage manager for Thunder Theatre<\/a>, who aspire to bring watching movies with your dog to the theatre.<\/h5>\n\n\n\n

Dewi Hughes – Accent Coach<\/h4>\n\n\n\n

Chris Linc\u00e9<\/a> – Graphic Design<\/h4>\n\n\n\n

Lidia Crisafulli<\/a> – Rehearsal and Production Photography<\/h4>\n\n\n\n

Julie Holman and Emma Caldwell for Target Live<\/a> – Press and PR<\/h4>\n\n\n\n

Nicole Kay<\/a> – Marketing<\/h4>\n","protected":false},"excerpt":{"rendered":"

Martha, Josie… Reviews Gallery Cast Funders Charlotte Jones – Writer Martha, Josie and the Chinese Elvis was commissioned by Bolton Octagon in 1998, when Charlotte was writer in residence; it went on to win the Pearson and Manchester Evening News awards for best new play and, along with In Flame (Bush\/West End), won Charlotte the Critics\u2019 Circle Most […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1074,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1805"}],"collection":[{"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1805"}],"version-history":[{"count":24,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1805\/revisions"}],"predecessor-version":[{"id":2091,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1805\/revisions\/2091"}],"up":[{"embeddable":true,"href":"http:\/\/signaltheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1074"}],"wp:attachment":[{"href":"http:\/\/signaltheatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}